TaZDB-Helper
– Creatore di thread#61Geht zwar nur um Filme seit ungefähr 2010, aber trotzdem ganz interessant.
Source (2016-04-14) The blogger’s conclusion: basically, blame TV.
The writer’s research reveals that the three highest-grossing live-action Japanese films of all time are Bayside Shakedown 2, Antarctica, and Bayside Shakedown The Movie, respectively, all produced by Fuji Television.
The Bayside Shakedown films, spinoffs of the popular TV series of the same name, were particularly to blame for the TV-ization of Japanese movies, according to a book entitled Did Bayside Shakedown Change Something About Japanese Film?, published in 2010.
But what’s so bad about movies starting to resemble TV? Our blogger makes two salient points: one, most of these films, like Bayside Shakedown, are seen as “extras” for fans of the TV show, not as standalone films. The people they attract to the theater aren’t film fans so much as TV watchers, and it makes those films’ appeal outside Japan especially limited.
Moreover, the blogger writes that Japanese TV is largely made for distracted viewing, meant to be watched while doing housework, homework or eating dinner. As such, most of the story is told in a simple, easy-to-follow way, with actors performing emphatically as they would on stage, rather than in a film.
Die drei angesprochenen Filme hab ich übrigens nicht in der Datenbank gefunden. Vllt hat wer Lust sie einzutragen.The writer’s research reveals that the three highest-grossing live-action Japanese films of all time are Bayside Shakedown 2, Antarctica, and Bayside Shakedown The Movie, respectively, all produced by Fuji Television.
The Bayside Shakedown films, spinoffs of the popular TV series of the same name, were particularly to blame for the TV-ization of Japanese movies, according to a book entitled Did Bayside Shakedown Change Something About Japanese Film?, published in 2010.
But what’s so bad about movies starting to resemble TV? Our blogger makes two salient points: one, most of these films, like Bayside Shakedown, are seen as “extras” for fans of the TV show, not as standalone films. The people they attract to the theater aren’t film fans so much as TV watchers, and it makes those films’ appeal outside Japan especially limited.
Moreover, the blogger writes that Japanese TV is largely made for distracted viewing, meant to be watched while doing housework, homework or eating dinner. As such, most of the story is told in a simple, easy-to-follow way, with actors performing emphatically as they would on stage, rather than in a film.
Commenti (2)
Klar, man hat nicht das Beste vom Besten, aber besonders im oberen Teil der Topliste befinden sich Titel, die man definitiv bedenkenlos schauen kann. Ich lass mich in letzter Zeit immer mal wieder auf einen asiatischen Film ein und bin teilweise wirklich positiv überrascht worden. Geb doch einfach dem einen oder anderen Film eine Chance, am besten einer mit guter Durchschnittswertung. Nicht alles, was die Allgemeinheit von sich gibt, muss zwangsläufig für einen selbst gelten
Live-Action Filme, welche auf einen Manga oder Anime basieren, sind meistens ziemlicher Mist.
Probier doch mal Filme von/mit:
Takeshi Kitano
Takashi Miike (hat aber auch viel Mist dabei)
Akira Kurosawa
SABU
...